Name: Far And Away
Running Time (minutes): 140
Description: A young man leaves Ireland with his landlord’s daughter after some trouble with her father and they dream of owning land at the big giveaway in Oklahoma, ca. 1893.
Stars: Tom Cruise, Nicole Kidman, Thomas Gibson
Genre: Adventure, Drama, Romance
When I first watched this film, I loved it. When I watched it again last year, I really liked it. Now I like it. I’m not sure whether that’s because it’s an okayish film or because I’m just a person who either passionately loves or hates something in the beginning. But anyway…
The story is certainly not bad and I particularly liked Mr Christie this time. Nicole Kidman delivers a few lines in a really heartbreaking way, especially at the end, but she does tend to overact during her angry passages and her ‘modern’ behaviour rather annoyed me now. Also, it’s really weird that at one point she has a cold, but when they then enter a house and have a romantic private moment a few seconds later, she suddenly doesn’t sound ill anymore. And I’m not really a Tom Cruise fan either (Joseph urgently needs to listen to more music because the only song he seems to know is ‘her beautiful eyes’… too). Oh well. The Irish accents were still chocolate to my ears.
John Williams’ score is obviously top-notch. It’s probably one of the reasons I liked this movie so much in the first place. The main themes are as memorable as any JW material and the orchestra accompanies the action/events brilliantly. At one point, for instance, Williams literally brings the ensemble to a halt at the very moment Shannon finally sort of confesses she’d like to live with Joseph and the effect is breathtaking. And then there’s that moment Joseph walks away increasingly quickly and Williams begins to chase him off with a theme that plays ever faster, a theme that literally wants to drive him back to his roots in Ireland. And then I’m not even talking about how he distorts themes to depict both joy and disaster. I’m still not really sure what all the themes stand for, but I’ve been way too busy worshipping this composer like a God to care and might soon have to start buying his vinyls to decorate the walls… And before I forget, the end credits need mentioning: instead of Williams’ wonderful suite, we first get an Enya song that is totally unrelated to all the music that came before it and contains a really awkward transition too. Why? Why truncate Williams’ wonderful musical summary to make room for such trash? Finally, Williams unwittingly made a pretty grave scene really funny: when Mr Christie’s house is being destroyed, he inserts a few French horn notes that are exactly the same as Howard Shore’s Gondor theme for Lord of the Rings. Once you realise that, the scene becomes hilarious.
This was the first time I watched the film in surround sound. I’d bought the DVD because the audio-described version interfered too much with the wonderful score… and wasted two euros in the process, but at least I won’t have to work in a chicken factory to earn them back. The track is extremely undynamic. You NEVER hear the rear channels at all throughout the entire movie and the sound mix is rather off at times too: beautiful music is drowned out by unnecessary loud cheering, but at least the front speakers are used to their full extent.